Kari and Maureen

Canadian actress. Matchett was raised in Spalding in Saskatchewan. She started her career acting as an actress following her move to Ontario. In the 90s, she made her first appearance on Canadian TV. Following her move back to United States she appeared in The Secrets of Nero Wolfe Invasion 24, The Hours Studio 60 in the Sunset Strip Ambulance Earth. It was the Last Conflict. In 2001, she was awarded an Gemini Award for her role in the Canadian television show The Department of Wet Cases. She has also portrayed the wife of one of Impact's leading characters for several seasons. In the TV program Covert Operations, she plays the character Joan Campbell. On the big screen she was in the 2002 Canadian film Cube 2. Hypercube. She also appeared as a character in Angel Eyes, Boys with Broomsticks and The Tree of Life . Divorced. The first child she had, a son named Jude Lyon Matchett was born in June 2013. Maureen O'hara..........................From her first appearances on the stage and screen Maureen O'Hara (b. 1920) was a captivating actor with her reddish-orange hair and her beautiful natural look and her passion in portraying strong heroines. Her charmed audience members with her effortless confidence and strong presence, no matter if she was being rescued off the Gallows (The Hunchback of Notre Dame in 1939) and falling for Walter Pidgeon under a coal noired sky in 1941 (How Green Was My Valley) and learning to believe in miracles with Natalie Wood (Miracle on 34th Street in 1947). Maureen O'Hara was the first biographical work about the screen icon, called the Queen of Technicolor. Following the star from her childhood in Dublin until her peak of fame Hollywood the film critic Aubrey Malone draws on new details that comes from Irish Film Institute production notes of films, as well as information from the old film journals, as well as fan magazines and newspapers. Malone examines the relationship of the actress with frequent collaborator John Wayne as well as the relationship she had together with John Ford. Malone addresses the question of whether or not O'Hara was feminist or antifeminist. The film icon was O'Hara in the golden age of film, however her inclination for privateness along with her tradition of making public comments that were contrary to her own personal decisions have left her a mystery. The biography that has been released gives viewers the opportunity to meet the woman who was behind her iconic image of the past.